Synths of Eden is a big supporter of progressive rock, as we launched the Spotify playlist Brasil Progressivo, with the best all-time Brazilian progressive rock and its influences.
Chile is a hub for creative artists, when it comes to all-genres. A place well-know for its beauty, great affordable wine and artists, such as Pablo Neruda for poetry and Alejandro Jorodowski for the cinema. It also comes in my mind the indie-pop with artists such as Javiera Mena and Alex Anwandter. Chile is well-know for its high amount of metal bands, as I recently discovered with this graphic.
#Map shows number of #Metal bands per 1 million people in South & Central America. Same general pattern as in Europe: colder climate calls for more head banging. Source: https://t.co/l0GzkPvZhF pic.twitter.com/cnoQ5Va3Hw
— Simon Kuestenmacher (@simongerman600) 22 January 2018
Tryo, a progressive-fusion band from Valparaíso, on tour around the world, to celebrate their 30 years are releasing an anthology, called Antologia Elétrica. The album was recorded by: Ismael Cortez, guitars, keyboards and vocal; Felix Carbone, drums; and Francisco Cortez, bass, vocals and cello. The albums also feature other guess artists in different tracks. Some songs have short vocals, others are mainly instrumental; however, when the band sings with lyrics, they are amazing poems in Spanish. The instrumental looks much alike the first works of Yes, such as the bass from late Chris Squire.
In a total of 13 tracks, some of them long others short, around 3 or 4 minutes. The album starts with an amazing track called Valparaíso Psicodélico (shared on Soundcloud). Starting with samples, of the seaside, proper of Valparaíso, that then shifts to keyboards, drums and guitars that bring up all the best of progressive rock tradition. Including a cello. After that, the album is followed by Viaje Cosmico, Órbitas and Círculos. Songs that also open their album Órbitas (available on streaming in Spotify). There are amazing vocals and instrumentals. Followed by smaller quasi-instrumentals, such as Ventana and Tierra, to again proceed to a full-7 minute song Vive, more mellow, that reminds the progressive phase of Iron Maiden. Latino reminds a lot the works of Carlos Santana in the early phase of his career. Niebla is a instrumental, it makes justice to its name, meaning ‘fog’ in English. As for Condensiación, starts pretty much as an ambient song with guitars and ends incredibly with energetic vocals:
“Juntos sí, juntos como uno (Together, together like one)
Juntos sí, juntos somos uno” (Together, yes … together we are one)”.
The thematic of the lyrics remind a lot Brazilian rock from the 80s, that brought themes such as social justice and important political facts, such as empowerment of the people against oppression. As much as for transcendental travels.
The last three tracks are live: Nueva Época, Justice and Bloques.
While the album is not officially released, their previous 3 albums (Órbitas, Dos Mundos, from 2002, and Viajes) are available in streaming platforms.