“Gone’ is about losing something or someone abruptly and how that can make you go a bit crazy. Gina’s voice is quite hoarse in the recording, which helps convey the desperation& frustration. There’s also a kind of excitement in that ‘fuck it’ feeling. The track is overall more positive than negative with each chorus ending ‘but I’ll find somewhere to put it’
Gone by The Desert, from Bristol, sounds like traditional trip-hop tracks from the 90s made by fresh artists. That dark feeling, suitable for the night time or grey rainy day. Gone will be part of their latest unreleased EP by Funnel Music. The lyrics are visceral, it makes totally sense if you’re someone who just lost a dear one.
Check our playlist Synths of Eden for more trip-hop tracks featured by the blog:
British duo Maribou State has been featured in Synths of Eden in June with Feel Good and Turnmills. Their new album Kingdoms In Colour, out September 7th on Counter Records, comes together with a series of remixes and reworks, such as Nervous Tics feat. Holly Walker (DJ Tennis Remix). This track sounds like a deep style, with the best instrumentation of Maribou State allied with the creativity inside DJ Tennis that provided us with this superb arrangement and mix.
Check our Spotify playlist Synths of Eden for more:
Evidence is the new single from SHIELDS, band from Newcastle. An alt-pop, with many influences of psychedelic rock. It’s a track with that pop feeling, but full of energy and electric guitars with overdrive. The first thing that comes to my mind listening SHIELDS is Weezer.
Look of Love is the fifth track of the homonymous album released by OLWH, that stands for Only Losers Win Happily, also know as Kelvin Beyioku, from Hertfordshire, UK. The album has many different influences, from indie to jazz, so it’s hard to label it in terms of genre. It has a very characteristic shoegaze style of wet guitar. Many tracks feature singer Freak Slug plus Ash, Ryan Shaw-Hawkins, Fern. You can also more of Kelvin’s works on his Bandcamp page.
It’s an appropriate track for our Spotify playlist Psychedelic Waves of Eden:
Electric Sheep is the closing track of UK synthwave producer Console Clones‘s album, Rewind Mankind. A typical dark bass for the style, yet full of compelling melodies that adorn the whole track. The album has been officially released 4th of August in all streaming platforms, with 11 tracks in total. Electric Sheep has an interesting mixing, specially in the drums, not the usual synthwave style of gated reverb, the same applies for the other instruments, it has a more filtered feeling, overall, not that exaggerated reverb in the snare.
Check our Synthwave in Eden Spotify playlist for more:
Inspired by an anti-social media movement aimed at building more natural relationships through departure from social technology, ‘Deconnecter’ is a new hip-hop project being released this summer that combines light synths and field recordings from Bristol / Japan to form a lofi bouncing atmosphere, created predominantly as a staging for female vocalists/MC’s
Chilling in Eden‘s newest feature is UK based producer Saro, with a lo-fi instrumental hip-hop track Deconnecter. As mentioned in the quote above, the track was inspired by an anti-social media movement, which is completely respectful due to all the complex problem that social media has caused to society in the recent years. As mentioned in earlier editorials from this blog, we don’t support social media that much, so we abandoned Instagram and use bots for FB, managing only Twitter in the end.
The whole thematics of Saro involve over-consumption, egocentrism and digitality, however they are presented as music in a whole delicate way, with light synths, a lo-fi instrumental hip-hop that is not only about loops. He has been featured in BBC and is making music for 8 years. Currently, he’s working on a full-length record.
This track is a high quality ethereal-indie that has been recently released on Soundcloud. Also, this is the debut track from UV, Marina Elderton, that won the PRS Foundation prize ‘Women Make Music’. We are always open to share new music made by women, specially those with such nice guitar as Defender.
The track hasn’t been officially released yet, but Marina is currently working on her forthcoming EP, that should be released in the coming months.
Besides that, she’s also a award-winning composer, especially for cinema, you check everything she’s been up to in her official website: www.marinaelderton.com
“Turnmills was where we first experienced electronic music in a club setting. It’s a totally different and transformative listening experience and that communal spirit, atmosphere and feeling has inspired the way we’ve made music,” says Liam. “Clubs are such important hubs for music discovery, especially of songs that you might have overlooked in a different setting. Partly through the feeling in the room and also through the memories attached to the records you hear.”
British duo Maribou State has recently released two tracks Feel Good (feat. Khruangbin) – as embedded – and a month ago Turnmills. These are their first releases since their breakthrough album from 2015 Portraits. The duo is formed by Liam Ivory and Chris Davids. Besides being great with their studio work, they are taking their new live show to an European tour, including Sónar 2018. The two tracks combine the best of downtempo electronic music, groove and pretty vocals.
Both mix electronic music production with some organic instruments and amazing vocals. Turnmills has an electric guitar, hypnotizing arpeggiated bass lines while being followed by soft vocals with some chorus at certain points. The track is dedicated to the legendary London nightclub of the same name that closed in 2008, which deserves our respect even more.
As for Feel Good, the track starts with an addictive guitar riff, followed by synths and vocals totally suitable for dancing. Maribou State’s two newest releases have been featured in our playlist Synths of Eden:
“You are to sound the trumpets over your burnt offerings and your fellowship sacrifices and on your joyous occasions, your appointed festivals, and the beginning of each of your months. They will serve as a reminder for you before your God: I am the LORD your God.”
For a blog called Synths of Eden, the use of religious references for satirical purposes isn’t anything new. Little Saint, producer from UK, will officially release Y0UR G0D on digital streaming platforms this 31th May by Halogram Records. This is a 10 minutes track with use of audio samples, rhythms and synthesizers, in a dark atmosphere, old school dubstep style, a bit like Skream! (2006).
Artwork was made by English Artist Dr. Fuckjoy. The track will be released in Little saint’s album 1010. There are 10 different alternate versions for this track, which will be all released.
Diode by British producer Rick Parsons a.k.a Awe Kid is the kind of danceable deep downtempo track, with groovy bass, deep pads, with audio voices, a track for that high state of mind, high quality rhythms, pretty enjoyable to the ears. It was released as a whole EP, having Diode two other remix versions, by Clyde and Ose.
The EP has as second track Leap. The track is split in two parts, having the first one accentuated analogue synths, as for the second part more organic drums. The track also has an official video embedded bellow.