Party Bots by Eschaton Don, from United States’ mid-west. Full of dreamy and wide bass tunes. It sounds alike a videogame soundtrack. Party Bots provides a high state of mind feeling, you can even close your eyes and imagine how there would be a party full of robots hanging around, dancing or providing extra services for extreme right wing politicians on social media with electronic music. Somehow it sounds heavily influenced by electronic music mixed with instrumental hip hop. Its drop makes me thing about chill out electronic from the 90s, but carrying with it imposing low sounds. It has been released by Teknofonic Recordings.
Check our Spotify playlist Synths of Eden for more:
Sunglass Moustache is a psychedelic record from Austin dwelling-Louisiana native Ben Millburn. It is also the name of the musicians and artists in his band and on his team. The band made the record in and around Austin, Texas at Church House (Robert Plant, Eddie Vedder, Black Angels) and Good Danny’s (Okkervil River, White Denim) studios. “We recorded the majority of the record live, vocals and all, about a week after we got back from a tour of the South. We recorded eight songs in two days. The rest of the record comes from studio improvisations and a song or two from my eight track. The first song ‘I Feel Something’ was one that we improvised in the studio.”
Mr. Taco by Ben Millburn is a psychedelic rock instrumental track that deserves a place in our Psychedelic Waves of Eden Spotify playlist. However, more than this, the whole album Sunglass Moustache released 14th of September deserves attention by fans of psychedelic rock. It has that old school feeling that from the 60s with a contemporary feeling only provided by modern studios. Tracks like I Feel Something and Mr. Tuxedo deserves total respect. These two have vocals, like most of the tracks from the album, apart from Mr. Taco. Sunglass Moustache, the track, is something totally experimental, but that serves as a sample of all the creativity behind the creation of this album.
Synthwave in Eden is back with a great track coming from USA, Ansible, by CNJR. The track is receiving support from Future Archive Recordings, according to them:
Ansible is psychedelic, dark, and ominous, but with a touch of hope and the complexity of survival.
I can’t even completely remember what this song was about when I started writing it, but in the middle my friend Rustin Luther passed away, and whatever the song was about lost meaning to me. I rewrote everything after contemplating Rustin’s impact on the world around him. This song is dedicated to him.
Pilot Light by Grand Commander is a great song with a sad story behind. It has a Zen thematic about moving on and how life’s constantly changing throughout the time. We never step twice in the same river. Grand Commander is a one man band formed by Sam Damask, from Dallas, Texas (USA). Everything has been recorded using Moog Sub 37, Kawai K1M, and Roland Juno. His mains influences are: Talking Heads, Parliament, Yes, Frank Zappa, Primus, Buckethead.
Pilot Light has been added to our Spotify playlist Synths of Eden:
According to Altvater, when Arcturus was produced he was constantly bobbing his head, it’s the darkest sound on Walking Creatures EP. The track is also the newest feature of our Spotify Playlist Synths of Eden.
Altvater is a music producer from Columbia, United States. His main influences are trip-hop and electronica. He recently released a new single called Moonbird, with a more chill sound if compared to Arcturus.
How fleeting and elusive to feel fulfilled in such a strange world. When you search for it in another person and look at what you find, it never feels like what you expected, so you search for something new. You look inside, you think you find it, but when you come back out, it just fades into the noise around you.
Listening to Drinker, the first think that comes in my mind thinking about all the material covered by the blog is British producer Yuki Ame. Though Drinker is an project created in USA, its style reminds British post-bubstep or UK Bass, such as Mount Kimbie, also featured here before with their 2010 album Crooks and Lovers.
Drinker is a project of singer/songwriter Aaron Mendelsohn and producer/composer Ariel Loh. Fragment II is the second single from their upcoming debut LP “Fragments”.
Fragments II has been featured in Synths of Eden:
The Paisley Agreement from Common Tiger is relaxing, sounds great as a production, has amazing rhodes keys, piano keys apart from organic drums. A track composed by several different instruments, which is explained by the fact that Common Tiger is the pseudonym of a multi-instrumentalist and producer called Matthew Mahoney. For me, this track resembles Mogwai, but without distorted guitars.
Another curious fact about Matthew is that he spent some time in a Buddhist temple in Portland, Oregon (USA) and currently he resides in a bus in Oregon studying music theory, piano, and working on his next musical releases.
You can also check his Bandcamp profile for more: https://commontiger.bandcamp.com/
This track is magnificent and deserves a place in our playlist Chilling in Eden:
Synthwave in Eden is back with a new feature, this time Rendezvous with Ramen, another track with a funny title, by Elk Bird, synthwave artist from Los Angeles, California.
The track is part of Exclusion Zone, an album highly inspired by sci-fi, as usual for tracks following the synthwave/chillwave thematics. You can stream the whole album by Spotify, as much as purchase it in Bandcamp (as embedded above). The whole album itself is not purely synthwave, having tracks that are more experimental when it comes to electronic music, such as Golem, for instance.
You can listen the track in the top of our Synthwave in Eden Playlist, as much as other submissions sent to Synths of Eden. Reminding that we’re always receiving submissions for new Synthwave tracks for this playlist, by Submithub or e-mail.
The song explores themes including understanding the mind as a canvas and letting go of attachments.
This track is something like Crystal Castles meets 90s Swedish band The Cardigans, surrealist electropop is an appropriate genre to classify R34L and Anim8.
R34L is a duo formed by Sarah Hartman and Cason Trager, they blend organic and unique sounds in experimental improvisation, synthesizers and sampling. Their work has been self-produced and Anim8 is the opening track of a not yet released 12 tracks album that will be called WHAT/IS.
The track has been featured in our Spotify Playlist Synths of Eden: