Today we’re going to talk about two post-punk tracks by two different bands, one has a fast drum pattern, from UK, Japanese Television with a single Bloodworm, and the other comes from Chicago, USA, Walking Bicycles, a more goth influenced band, that reminds Siouxsie and The Banshes.
ESP by Walking Bicycles, as a record, has a “live recording” feeling, as if the band actually recorded everything on the studio playing at the same time. It’s muffled, with a real ambience on it. I like the guitar’s overdrive. It feels real. The bass guitar has a big presence, marking its imposing and fast rhythm together with the drums. The electric guitar has remarking melodies that sound so natural, as if everything happened on an unforgettable jam. The band was formed in 2004. It has been released by Highwheel Records.
According to Japanese Television, their newest single, Bloodworm is “a fuzzed out trip across a sci-fi salt flat one part Barbarella two parts Krautrock”, I guess it’s an appropriate definition, if you consider the krautrock element of it. Another band that feels real and alive in the studio, well synchronized, something only a band can do. Which is well explained by their creative process. BLOODWORM, released by Tip Top Recordings in London, was recorded in an old isolated village hall onto an 8 track tape by Kristian Bell of The Wytcheswho had set up the makeshift studio from scratch to manifest the live sound they were after. The band said; ‘’The track only had a working title when we started recording it, we’d played it out live for the first time the night before. The name comes from a book we found in a collection of second-hand novels in the corner of the village hall. The cover of the book has a giant worm wrapped around a ruined Big Ben, which seemed to fit pretty nicely with the mood we were trying to capture! Another weird fact is that a character in the book shares the name of our guitarist, Tim Jones. He is in the book for a single page, at which point he gets eaten by a Bloodworm*.’’
Both tracks have been added to our Spotify playlist Psychedelic Waves of Eden:
Camp North is a music producer from Boston (USA), that makes electronic music mixing some of his most favourite genres, such as ambient, techno and more danceable house style, such as My Bones, a track that has techno long and aggressive synth lines with a more “housy” groove, rhythm and vocals. It’s been released as a single early on January. It’s also Synths of Techno newest feature.
Party Bots by Eschaton Don, from United States’ mid-west. Full of dreamy and wide bass tunes. It sounds alike a videogame soundtrack. Party Bots provides a high state of mind feeling, you can even close your eyes and imagine how there would be a party full of robots hanging around, dancing or providing extra services for extreme right wing politicians on social media with electronic music. Somehow it sounds heavily influenced by electronic music mixed with instrumental hip hop. Its drop makes me thing about chill out electronic from the 90s, but carrying with it imposing low sounds. It has been released by Teknofonic Recordings.
Check our Spotify playlist Synths of Eden for more:
This is the third single off Cursive’s upcoming album Vitriola, out October 5th on 15 Passenger Records. The lyrics don’t have a very psychedelic context behind it, but the instrumentals and the way it evolves, the energy put behind, plus the whole arrangement and instrumentals make it a true psychedelic rock track, with many influences of 90s rock, for sure.
“This song is about watching those closest to you as they seem to deliberately self-destruct. How we find it hard to forgive them for it, but also how we carry the blame for it.” – Tim Kasher
Check our playlist Psychedelic Waves of Eden for more:
Sunglass Moustache is a psychedelic record from Austin dwelling-Louisiana native Ben Millburn. It is also the name of the musicians and artists in his band and on his team. The band made the record in and around Austin, Texas at Church House (Robert Plant, Eddie Vedder, Black Angels) and Good Danny’s (Okkervil River, White Denim) studios. “We recorded the majority of the record live, vocals and all, about a week after we got back from a tour of the South. We recorded eight songs in two days. The rest of the record comes from studio improvisations and a song or two from my eight track. The first song ‘I Feel Something’ was one that we improvised in the studio.”
Mr. Taco by Ben Millburn is a psychedelic rock instrumental track that deserves a place in our Psychedelic Waves of Eden Spotify playlist. However, more than this, the whole album Sunglass Moustache released 14th of September deserves attention by fans of psychedelic rock. It has that old school feeling that from the 60s with a contemporary feeling only provided by modern studios. Tracks like I Feel Something and Mr. Tuxedo deserves total respect. These two have vocals, like most of the tracks from the album, apart from Mr. Taco. Sunglass Moustache, the track, is something totally experimental, but that serves as a sample of all the creativity behind the creation of this album.
I can’t even completely remember what this song was about when I started writing it, but in the middle my friend Rustin Luther passed away, and whatever the song was about lost meaning to me. I rewrote everything after contemplating Rustin’s impact on the world around him. This song is dedicated to him.
Pilot Light by Grand Commander is a great song with a sad story behind. It has a Zen thematic about moving on and how life’s constantly changing throughout the time. We never step twice in the same river. Grand Commander is a one man band formed by Sam Damask, from Dallas, Texas (USA). Everything has been recorded using Moog Sub 37, Kawai K1M, and Roland Juno. His mains influences are: Talking Heads, Parliament, Yes, Frank Zappa, Primus, Buckethead.
Pilot Light has been added to our Spotify playlist Synths of Eden:
According to Altvater, when Arcturus was produced he was constantly bobbing his head, it’s the darkest sound on Walking Creatures EP. The track is also the newest feature of our Spotify Playlist Synths of Eden.
Altvater is a music producer from Columbia, United States. His main influences are trip-hop and electronica. He recently released a new single called Moonbird, with a more chill sound if compared to Arcturus.
How fleeting and elusive to feel fulfilled in such a strange world. When you search for it in another person and look at what you find, it never feels like what you expected, so you search for something new. You look inside, you think you find it, but when you come back out, it just fades into the noise around you.
Listening to Drinker, the first think that comes in my mind thinking about all the material covered by the blog is British producer Yuki Ame. Though Drinker is an project created in USA, its style reminds British post-bubstep or UK Bass, such as Mount Kimbie, also featured here before with their 2010 album Crooks and Lovers.
Drinker is a project of singer/songwriter Aaron Mendelsohn and producer/composer Ariel Loh. Fragment II is the second single from their upcoming debut LP “Fragments”.
The Paisley Agreement from Common Tiger is relaxing, sounds great as a production, has amazing rhodes keys, piano keys apart from organic drums. A track composed by several different instruments, which is explained by the fact that Common Tiger is the pseudonym of a multi-instrumentalist and producer called Matthew Mahoney. For me, this track resembles Mogwai, but without distorted guitars.
Another curious fact about Matthew is that he spent some time in a Buddhist temple in Portland, Oregon (USA) and currently he resides in a bus in Oregon studying music theory, piano, and working on his next musical releases.